Chord chart for D♯ minor add 9 / A♯ (2nd inversion) Guitar Chord: Notes, Shapes & Bass Note | Guitar Wiz

D♯min(add9)/A♯ guitar shapes

Popular fretboard positions with fingering suggestions

Showing 8 of 13 playable shapes

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D♯ minor add 9 / A♯ (2nd inversion) guitar chord diagram showing fretboard positions

About the chord

D♯ minor add 9 / A♯ (2nd inversion)

D♯min(add9)/A♯ is the D♯ minor add 9 / A♯ (2nd inversion) guitar chord with A♯ in the bass. It uses the notes D♯, F♯, A♯, and E♯ and the interval formula 1-♭3-5-9.

The D♯ minor add 9 minor add 9 chord adds a ninth E♯ to the minor triad, creating a lush, emotional sound. The combination of the minor third F♯ and ninth E♯ gives it a hauntingly beautiful, introspective quality, perfect for ballads and cinematic music. With A♯ in the bass, this voicing functions as the 2nd inversion of D♯ minor add 9.

Also written as D♯min(add9) and D♯madd9/A♯.

Root note: D♯
Bass note: A♯
Chord tones: 4
Playable shapes: 13

Chord tones

D♯F♯A♯E♯

Common guitar voicings

These are quick-start shapes for players who want the answer first and the deeper theory second.

Shape 688876

688876

View shape
  1. 1 Place the 1st finger on the 6th fret of the 1st string and 6th string in barre position.
  2. 2 Place the 2nd finger on the 7th fret of the 2nd string.
  3. 3 Place the 3rd finger on the 8th fret of the 3rd string, 4th string, and 5th string in barre position.
  4. 4 Strum from the 6th string down.

Shape xddbbd

xddbbd

View shape
  1. 1 Place the 1st finger on the 11th fret of the 2nd string and 3rd string in barre position.
  2. 2 Place the 3rd finger on the 13th fret of the 4th string and 5th string in barre position.
  3. 3 Place the 4th finger on the 13th fret of the 1st string.
  4. 4 Strum from the 5th string down.

Notes & Intervals

Each note below shows how the chord is built from its root. This is the theory layer underneath the fretboard shapes.

D♯ Unison (Root) 1

The root anchors the chord and defines its tonal center.

F♯ Minor Third ♭3

This note supplies the minor color and gives the chord its darker emotional pull.

A♯ Perfect Fifth 5

The fifth reinforces stability and gives the chord its strong harmonic frame.

E♯ Major Ninth 9

The ninth opens the chord up and adds a modern, spacious color.

Shape details

Every shape is shown with its diagram and exact fingering instructions.

D♯min(add9)/A♯ shape 688876

How to play this shape

  1. 1 Place the 1st finger on the 6th fret of the 1st string and 6th string in barre position
  2. 2 Place the 2nd finger on the 7th fret of the 2nd string
  3. 3 Place the 3rd finger on the 8th fret of the 3rd string, 4th string, and 5th string in barre position
  4. 4 Strum from the sixth string down to the first string

D♯min(add9)/A♯ shape xddbbd

How to play this shape

  1. 1 Place the 1st finger on the 11th fret of the 2nd string and 3rd string in barre position
  2. 2 Place the 3rd finger on the 13th fret of the 4th string and 5th string in barre position
  3. 3 Place the 4th finger on the 13th fret of the 1st string
  4. 4 Do not play the sixth string
  5. 5 Strum from the fifth string down to the first string

D♯min(add9)/A♯ shape x14341

How to play this shape

  1. 1 Place the 1st finger on the 1st fret of the 1st string and 5th string in barre position
  2. 2 Place the 2nd finger on the 3rd fret of the 3rd string
  3. 3 Place the 3rd finger on the 4th fret of the 4th string
  4. 4 Place the 4th finger on the 4th fret of the 2nd string
  5. 5 Do not play the sixth string
  6. 6 Strum from the fifth string down to the first string

D♯min(add9)/A♯ shape x13342

How to play this shape

  1. 1 Place the 1st finger on the 1st fret of the 5th string
  2. 2 Place the 2nd finger on the 2nd fret of the 1st string
  3. 3 Place the 3rd finger on the 3rd fret of the 3rd string and 4th string in barre position
  4. 4 Place the 4th finger on the 4th fret of the 2nd string
  5. 5 Do not play the sixth string
  6. 6 Strum from the fifth string down to the first string

D♯min(add9)/A♯ shape 698866

How to play this shape

  1. 1 Place the 1st finger on the 6th fret of the 1st string, 2nd string, and 6th string in barre position
  2. 2 Place the 3rd finger on the 8th fret of the 3rd string and 4th string in barre position
  3. 3 Place the 4th finger on the 9th fret of the 5th string
  4. 4 Strum from the sixth string down to the first string

D♯min(add9)/A♯ shape 664x6x

How to play this shape

  1. 1 Place the 1st finger on the 4th fret of the 4th string
  2. 2 Place the 3rd finger on the 6th fret of the 5th string and 6th string in barre position
  3. 3 Place the 4th finger on the 6th fret of the 2nd string
  4. 4 Do not play the third and first strings
  5. 5 Strum from the sixth string down to the second string

D♯min(add9)/A♯ shape 68x87x

How to play this shape

  1. 1 Place the 1st finger on the 6th fret of the 6th string
  2. 2 Place the 2nd finger on the 7th fret of the 2nd string
  3. 3 Place the 3rd finger on the 8th fret of the 5th string
  4. 4 Place the 4th finger on the 8th fret of the 3rd string
  5. 5 Do not play the fourth and first strings
  6. 6 Strum from the sixth string down to the second string

D♯min(add9)/A♯ shape 68887x

How to play this shape

  1. 1 Place the 1st finger on the 6th fret of the 6th string
  2. 2 Place the 2nd finger on the 7th fret of the 2nd string
  3. 3 Place the 3rd finger on the 8th fret of the 3rd string, 4th string, and 5th string in barre position
  4. 4 Do not play the first string
  5. 5 Strum from the sixth string down to the second string

Quick answers

What notes are in D♯min(add9)/A♯?

D♯min(add9)/A♯ uses the notes D♯, F♯, A♯, and E♯. Its interval formula is 1-♭3-5-9.

What is another name for D♯min(add9)/A♯?

D♯min(add9)/A♯ is also written as D♯min(add9) and D♯madd9/A♯.

How do you play D♯min(add9)/A♯ on guitar?

Place the 1st finger on the 6th fret of the 1st string and 6th string in barre position. Place the 2nd finger on the 7th fret of the 2nd string. Place the 3rd finger on the 8th fret of the 3rd string, 4th string, and 5th string in barre position. Strum from the 6th string down.

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