Shape characteristics
Closed voicing
Every sounding string is fretted, with no open strings. Tight, controllable tone that responds well to palm muting and dynamic picking.
Upper register · fret 8-11
Brighter, more focused tone with less low-end. Works well when layering over a bassist or second guitar, and integrates naturally with lead-line phrasing higher on the neck.
Full six-string voicing
All six strings ring, giving you the biggest, most resonant version of this chord, ideal for strumming and solo acoustic contexts.
Bass: B♯ · Top: B♯
The 3rd sits in the bass, softening the chord's feel and creating smooth stepwise bass motion when moving to nearby chords.
Compared to Shape 888a98 , this voicing uses a barre chord.
How to play this shape
- 1 Place the 1st finger on the 8th fret of the 1st string, 4th string, and 6th string in barre position
- 2 Place the 2nd finger on the 9th fret of the 2nd string
- 3 Place the 3rd finger on the 10th fret of the 3rd string
- 4 Place the 4th finger on the 11th fret of the 5th string
Frequently Asked Questions
What does "8b8a98" mean?
The sequence 8b8a98 is a highly compact guitar chord notation. It represents the fret played on each of the 6 strings, reading left-to-right from the thickest (lowest pitch) string to the thinnest (highest pitch) string: E, A, D, G, B, e.
- x means the string is muted or skipped entirely.
- 0 means the string is played "open" (without pressing over a fret).
- 1-9 represent standard fret numbers 1 to 9.
- a, b, c... represent frets 10, 11, 12, and higher (where a=10, b=11, c=12).
Can I play this A♯7sus2/B♯ shape anywhere else?
Yes! This specific layout is just one way to voice a A♯7sus2/B♯ chord. You can find all other variations in our chord shape library for A♯7sus2/B♯. Most guitarists choose different shapes based on whether they want a "brighter" or "deeper" sound, or which chord they are transitioning from.
Other shapes
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