# 10 Pentatonic Licks Every Guitarist Should Know

> Learn 10 essential pentatonic licks that work in any jam. Blues, rock, and pop licks with tabs, audio descriptions, and tips for making them your own.

Source: https://guitarwiz.app/articles/pentatonic-licks-guitar

Licks are the vocabulary of lead guitar. They're short, memorized musical phrases that you deploy during solos, fills, and improvisations. Every great guitarist has a library of go-to licks - phrases they've learned, modified, and made their own.

The A minor pentatonic scale is the source of most blues and rock licks. These 10 licks cover the essential patterns that every guitarist should have in their back pocket.

## Before You Start

All licks are in **A minor pentatonic, Position 1** (the box):
```
e|---5---8---|
B|---5---8---|
G|---5---7---|
D|---5---7---|
A|---5---7---|
E|---5---8---|
```

Practice each lick slowly with a metronome before playing at speed. The goal is clean, musical execution - not raw speed.

## The 10 Essential Licks

### Lick 1: The Classic Bend
```
e|---8b10---5---|
B|--------------|
```
Bend the 8th fret up a whole step (to match the 10th fret pitch), then play the 5th fret on the same string. This is the most fundamental blues lick. B.B. King plays this a thousand times per concert.

### Lick 2: The Box Climber
```
e|---5---8---5---|
B|---5---8---5---|
G|---5---7---5---|
D|---5---7-------|
```
Walk up through the pentatonic box on the top four strings. Simple but sounds great when played with rhythmic variation - try triplets or swing feel.

### Lick 3: The Pull-Off Cascade
```
e|---8p5---------|
B|-------8p5-----|
G|-----------7p5-|
D|---------------|
```
Three pull-offs descending through the box. Pick only the first note of each string; the pull-offs do the rest. Fast, flashy, minimal effort.

### Lick 4: The Hammer-On Run
```
D|---5h7---------|
G|-------5h7-----|
B|-----------5h8-|
e|---------------5h8---|
```
The reverse of Lick 3 - ascending hammer-ons. Pick each string once; the hammer-on snaps to the second note.

### Lick 5: The Double Stop Bend
```
e|---5--------5---|
B|---8b10---8b10--|
```
Bend the B string while holding the E string stationary. Two notes ring together, creating a thick, rich sound. This is a Clapton/Hendrix staple.

### Lick 6: The Slide Entry
```
e|---3/5---8---5---|
B|-----------8---5-|
```
Slide into the pentatonic box from two frets below. The slide creates a smooth, vocal-like entry that sounds more musical than picking the first note cold.

### Lick 7: The BB Box
```
e|---8b10--8---5---|
B|-------------8---|
```
Bend on the high E, play the lower note, then jump to the B string. B.B. King's entire career exists within 4 frets of this pattern. Master the vibrato on the bent note.

### Lick 8: The Minor Pentatonic Turnaround
```
e|---5---8---5---------|
B|-------------8---5---|
G|---------------------7---5---|
D|-----------------------------7---|
```
A descending run through the box that works as a turnaround at the end of a 12-bar blues or the resolution of a solo phrase.

### Lick 9: The Unison Bend
```
e|---5--------------|
B|---8b10-----------|
```
Play both strings simultaneously. The B string bend rises to match the unbent E string note. When they meet, the unison creates a thick, calling sound.

### Lick 10: The Repeating Phrase
```
e|---8---5---------|
B|---------8---5---|
e|---8---5---------|
B|---------8---5---|
```
Repeat the same 4-note phrase on the top two strings. Repetition creates tension and expectation. Vary the rhythm each time through - straight, swung, triplet.

## Making Licks Your Own

### 1. Change the Rhythm
Play any lick with triplets instead of straight eighth notes. Or add a pause mid-lick. Rhythm changes transform a generic lick into a personal statement.

### 2. Add Vibrato
Apply vibrato to the last note of every lick. This adds expression and finality. Experiment with slow/wide vs fast/narrow vibrato.

### 3. Combine Licks
Chain licks together: start with Lick 6 (slide entry), flow into Lick 2 (box climber), end with Lick 1 (classic bend). Connecting licks creates longer solo phrases.

### 4. Move to Other Positions
These licks work in Position 1 (5th fret). Move them to Position 2 (8th fret area) or Position 3 (10th fret area) for new sounds.

### 5. Play Behind the Beat
Slightly delaying your notes - playing just after the click - creates a relaxed, bluesy feel. Playing exactly on or slightly ahead of the beat feels urgent and driving.

## Practice Exercises

### Exercise 1: One Lick Per Day
Learn one lick per day. Practice it for 5 minutes at various tempos. By day 10, you have a complete lick vocabulary.

### Exercise 2: Lick Improvisation
Put on an A minor backing track. Play ONLY from your lick vocabulary - no random notes. This forces you to use the licks musically, with timing and phrasing.

### Exercise 3: Lick Combination
Chain 3 licks into a continuous 12-second solo. Practice the transitions between licks until they flow seamlessly.

## Common Mistakes

**1. Playing licks too fast.** Speed kills musicality. A slow lick with great vibrato and timing sounds 10x better than a fast, sloppy run.

**2. Not varying rhythm.** Playing every lick as straight eighth notes sounds monotonous. Mix up the rhythmic feel.

**3. Using licks mechanically.** Licks should serve the music, not show off your vocabulary. Leave space, play fewer notes, and make each lick count.

## Try This in Guitar Wiz

Use the **Metronome** in Guitar Wiz to practice each lick at progressively faster tempos. The **Chord Library** helps you visualize the chord tones within the pentatonic scale, connecting your lick playing to harmonic understanding.

[Download Guitar Wiz on the App Store](https://apps.apple.com/app/apple-store/id6740015002?pt=643962&ct=article-licks&mt=8) · [Explore the Metronome →](/metronome)

## FAQ

### How many licks should a guitarist know?
Start with 10-15 solid licks that you can play musically and in time. Gradually expand your vocabulary. Quality over quantity.

### Can I use these licks in any key?
Yes. The shapes are moveable. In A minor pentatonic, it's based at the 5th fret. In E minor, move everything to the 12th fret (or open position). Same shapes, different frets.

### Should I learn licks or just improvise?
Both. Licks provide vocabulary; improvisation teaches you to speak with that vocabulary. Start with licks, then use them as building blocks for improvisation.

### People Also Ask

**What are the best pentatonic licks for beginners?** The classic bend, the box climber, and the pull-off cascade are the top three licks to learn first.

**How do I practice guitar licks?** Learn the lick slowly with a metronome, gradually increase speed, then practice playing it over backing tracks in musical context.

**Where do guitarists learn licks?** From songs, other players, YouTube tutorials, and by ear. The best licks come from transcribing solos you admire.
